Live sound and PA in Nashville
Line arrays, subs, monitors and wireless, with an engineer at front-of-house (the mix position) who mixes the room, not the spec sheet. We scale it from festival stages down to 200-capacity clubs.
We start with the space: how big the audience area is, where the mix position can go, and what the performers need to hear on stage. From there we choose the PA and monitor package, fly the arrays where the site allows, and set the front-of-house position.
Sound can come on its own or as part of the whole site: the stage it sits on, the power that feeds it, and the lighting and video around it. On show day there is an engineer at front of house and one number to call.
What we bring
- Line arrays and subs
- Stage monitors
- Wireless systems
- A front-of-house mix position and engineer
Shows we’ve built.
Real rigs from real nights. Tap or click a card to see it full screen.
The whole site, one crew.
From the lighting rig to the fence line. Bring us in for one piece or hand us the entire event.
Four steps from the first call to the last case on the truck.
Plan
We walk the site or the drawings, size the rig, the power and the fence line, and send one quote for all of it.
Load-in
Generators land first, then fence, stage, rig, PA and video. Everything labeled, every cable ramped.
Show
A designer at the desk, an engineer at front of house, a tech on the power and the site. One number to call.
Pack-out
Out on schedule, restrooms picked up, fence down, site clean. You get the invoice you were quoted.
Tell us about the show.
Send the date, the site and what you’re picturing. We reply within one business day with a plan and a number.